苏州艺圃英文导游词（精选6篇）

苏州艺圃英文导游词（精选6篇）

Art field is located in gold, Chang second between the official figure. Landscape bright, style simple, more to save the pattern of the early days. With its high historical and artistic value. Dominated have only about five acres, centered on accounts for about one 5 of the water. Water concentration, the southeast and southwest two horns, each have water bay stretched out, and on the nozzle shape different masonry bridge, so the surface appear open flow, no sense of congestion constraint. The water of the north building, boya main hall hall for the garden, the south has a small courtyard, a lake rock flowers, courtyard south LinChi, built waterside pavilion 5, on both sides of the wing is connected to the east, and west sides of the water wing.

The water of the south as the rockery, mound, in the place, with lake stone fold into a precipice, diameter, change more and more natural. In pool looks at here, the north rock mountain, lush trees, give a person with the beauty of the under well, mountain forest of, become the main places of the garden. Such as water, stone, unique combination of technique, commonly used by suzhou Ming and qing dynasties generation home gardening, determining the nature and strive to go beyond nature. Have milk fish pavilion, e of water system in the Ming dynasty relic, a path and everywhere is same. The water of the west, qin lu, small courtyard to round David connected to other scenic spot and apart. Into the gates, that the courts have small pool, with a big pool. It also belongs to the outlier in the suzhou gardens. The courts scattered stone flowers and trees, the lake for the retreat in the park.

Former Ming Wen Zhenmeng (Wen Zhiming great-grandson of medicine field, change, placed at the beginning of the qing dynasty, also called JingTing mountain house. Area of about 5 acres, now generally still remain in the Ming dynasty and early qing. Art field plane are slightly north and south long and narrow rectangle, north of the courtyard, is composed of the main hall of boya hall and waterside pavilion; Cut pool, the central area of about one mu for dominated the center, the surface concentration, southeast and southwest have water bay, on the structure low stone bridge. In addition to the north for the waterside pavilion revetment, the remaining pool shore flexor nature, while the pool surface from nearby for low small building is open, take nets garden. Fanaw stacking rockery, structure bridge pavilion, southwest a rear yard. ChiBeiAn five waterside pavilion, low floating in waves, both sides has a separate buildings.

The elevation of all these buildings occupy the pool in the north, which are rare in the suzhou gardens. Stone angeles fanaw near water, followed by heap heaped-up mountains, mountain near water side wall lake stone with the dangerous path. Southwest hospital with wall, water diversion bay in the small pond, stone mountain also delay pulse at this point. Courtyard west hall, between two weeks column stone lake, cultivation of camellia, magnolia flower, see a new world. Pool pavilion, southeast of fish for traces of Ming dynasty. Next to its slow QuShiQiao that also belongs to the early days, is very precious.

Art nursery for suzhou cultural relics protection units. Has been UNESCO world cultural heritage.

My official figure art field is located in suzhou city. Art garden was built in Ming jiajing period, build drunken YingTang Yuan Zugeng, topic MenE "urban forest". Lasted for Wen Zhiming great-grandchild Wen Zhenmeng, TangMing nylon, YuanMing medicine field. Qing jiang 埰, renamed h nursery, also called JingTing mountain house, his son Jiang Shijie YuanMing easily as art field. After repeatedly. Light three or four years, Wu Xingceng Qi new. Light nineteen years, garden and silk industry fan, seven duct ccba, heavy repair. The garden between Ming dynasty and early qing keep landscapes and part of the building, is an important example of research history of landscape architecture.

Art field now covers an area of about 3800 square meters. House five into layout twists and turns, hall of primitive simplicity. Park in the west, pool center, accounts for about a quarter. Building more than in the north pool, fanaw rockery as main feature. Have liberal arts hall, delay light cabinet, jiyang valley book hall, thought to r, milk fish pavilion, thought eosinophilic hin, toward the great month gallery pavilion, vanilla, and rang the victory of the season.

Art field plane are slightly north and south long and narrow rectangle, north of the courtyard, is composed of the main hall of boya hall and waterside pavilion; Cut pool, the central area of about one mu for dominated the center, the surface concentration, southeast and southwest have water bay, on the structure low stone bridge. In addition to the north for the waterside pavilion revetment, the remaining pool shore flexor nature, while the pool surface from nearby for low small building is open, take nets garden. Fanaw stacking rockery, structure bridge pavilion, southwest a rear yard. ChiBeiAn five waterside pavilion, low floating in waves, both sides has a separate buildings. The elevation of all these buildings occupy the pool in the north, which are rare in the suzhou gardens. Stone angeles fanaw near water, followed by heap heaped-up mountains, mountain near water side wall lake stone with the dangerous path. Southwest hospital with wall, water diversion bay in the small pond, stone mountain also delay pulse at this point. Courtyard west hall, between two weeks column stone lake, cultivation of camellia, magnolia flower, see a new world. Pool pavilion, southeast of fish for traces of Ming dynasty. Next to its slow QuShiQiao that also belongs to the early days, is very precious.

Art field in the water, stone, unique combination of technique, determining the nature and tries to transcend the nature, is the Ming and qing dynasties suzhou generation gardening home the layout of the most commonly used techniques.

Garden area of about 5 acres, now has kept roughly want between Ming dynasty and early qing. Gardens in north and south long and narrow rectangular plane, the north is courtyard, is composed of the main hall of boya hall and water tree, the central pool, the water for about 1 mu, become dominated center. All the monohydrate bay, southeast and southwest tablet stone bridge. In addition to the waterside pavilion in the north for the revetment, the rest of the pond shore are naturally twists and turns. Take the nets garden gardening techniques, offshore for low buildings, such as cottage fishing tents, makes the surface appear open. Fanaw had stacked stone rockery, one screen at a time on the bridge. Southwest pool has a yard, water curved courtyard, a quiet elegant. Pool north waterside pavilion surface width of 5, and cabinet gallery annex on both sides. All these buildings occupied the north facade, as seen in suzhou gardens. Yard on both sides of the square of two hall, column flange pool lake stone, such as camellia, magnolia flower plants and. Pool a Ming dynasty architecture, southeast of milk fish pavilion, the architecture of primitive simplicity and easy, for the rare and precious cultural relics.

The garden more preserved Ming dynasty garden style, layout and gardening technique, winning by plain simple, natural, and celebrities such as Wen Zhenmeng former residence is located, it is of high historical value and artistic value. As a key cultural relic protection unit in jiangsu province in 1995.

艺圃地处金、阊二门间的文衙弄。园景开朗，风格质朴，较多地保存了建园初期的格局。有其较高的历史与艺术价值。全园有地仅为五亩，以约占五分之一的池水为中心。水面集中，其东南及西南两角，各有水湾伸出，并于水口之上各架形制不同的石板桥一座，故而水面显得开阔流动，绝无拥塞局促之感。池水之北多建筑，博雅堂为园中主要厅堂，其南端有小院，设湖石花台，院南临池处，建有水榭五间，两侧厢房则与池水东、西两面的厢房相连。

池水之南为假山，以土堆成，临处之处，则以湖石叠成绝壁、危径，既多变化又较自然。于池北远望此处，山石嶙刚，树木葱郁，给人以奇秀之美、山林之趣，成为园中的主要对景。此种以池水、石径、绝壁相结合的手法，为明清苏州一代造园家所常用，取法自然而又力求超越自然。池水之东有乳鱼亭，系明代遗物，外有小径与各处相通。池水之西，有芹庐小院，以圆洞门与其它景区相隔而又相连。步入院门，即可见院中有小池，似与大池相通。这在苏州园林中还属于孤例。院中散置湖石花木，为园内最为避静之处。

原为明文震孟(文徵明曾孙)的药圃，清初改现名，又称敬亭山房。面积约5亩，现大致仍保持明末清初的旧貌。艺圃平面略呈南北狭长的矩形，北端为庭院，由主厅博雅堂和水榭组成;中央凿池，面积约一亩，为全园中心，水面集中，东南、西南各有水湾一处，上构低平石桥。除北端为水榭驳岸外，其余池岸均曲屈自然，而池面则因近旁为低小建筑而显得开阔，取网师园手法。池南叠假山，构桥亭，西南置小院一所。池北岸的五间水榭，低浮于碧波之上，两侧有附属建筑。

这些建筑占据池北全部立面，这在苏州园林中甚为少见。池南临水置石矶，其后堆土山，山近水一面以湖石砌直壁危径。西南以墙隔作旁院，引水湾入内为小池，石山也延脉至此。院西方厅二间，周列湖石，种植山茶、辛夷，别有洞天。池东南的乳鱼亭，为明代遗构。其旁边的缓曲石桥，也属建园初期作品，都很珍贵。

艺圃为苏州市文物保护单位。已被联合国教科文组织列入世界文化遗产。

艺圃位于苏州市文衙弄。艺圃始建于明嘉靖年间，袁祖庚建醉颖堂，题门额“城市山林”。万历时为文徵明曾孙文震孟所得，堂名世纶，园名药圃。清初归姜埰，更名颐圃，又称敬亭山房，其子姜实节易园名为艺圃。此后屡易主。道光三、四年，吴姓曾予葺新。道光十九年，园宅归绸业同人，名七襄公所，重加修葺。此园保持明末清初景观风貌和部分建筑，是研究园林史的重要实例。

艺圃现占地约3800平方米。宅分五进，布局曲折，厅堂古朴。园在宅西，水池居中，约占四分之一。建筑多在池北，池南以假山为主景。有博雅堂、延光阁、旸谷书堂、思敬居、乳鱼亭、思嗜轩、朝爽亭、香草居、响月廊诸胜。

艺圃平面略呈南北狭长的矩形，北端为庭院，由主厅博雅堂和水榭组成;中央凿池，面积约一亩，为全园中心，水面集中，东南、西南各有水湾一处，上构低平石桥。除北端为水榭驳岸外，其余池岸均曲屈自然，而池面则因近旁为低小建筑而显得开阔，取网师园手法。池南叠假山，构桥亭，西南置小院一所。池北岸的五间水榭，低浮于碧波之上，两侧有附属建筑。这些建筑占据池北全部立面，这在苏州园林中甚为少见。池南临水置石矶，其后堆土山，山近水一面以湖石砌直壁危径。西南以墙隔作旁院，引水湾入内为小池，石山也延脉至此。院西方厅二间，周列湖石，种植山茶、辛夷，别有洞天。池东南的乳鱼亭，为明代遗构。其旁边的缓曲石桥，也属建园初期作品，都很珍贵。

艺圃的这种以池水、石径、绝壁相结合的手法，取法自然而又力求超越自然，是明清时期苏州一代造园家最为常用的布局技法。

园林面积约5亩，现大致仍保留着明末清初的旧貌。林园平面呈南北狭长的矩形，最北面是庭院，由主厅博雅堂和水树组成，中央设水池，水面约1亩左右，成为全园中心。东南、西南各出一水湾，上置平板石桥。除北面水榭处为驳岸外，其余池岸均自然曲折。取网师园造园技巧，近岸为低矮建筑，如茅舍渔棚，使水面显得开阔。池南有叠石假山一屏，上有桥亭。池西南有小院，引水弯人院中，幽静雅致。池北水榭面阔5间，两侧还有阁廊等附属建筑。这些建筑占据了北面的全部立面，为苏州园林所仅见。小院两侧有方厅两间，缘池列置湖石，并种有山茶、辛夷等花木。池东南有一明代建筑，名乳鱼亭，构架古朴大方，为珍贵文物。

此园较多的保存了明代园林的风格、布局和造园手法，以简练疏朗、自然质朴取胜，且为文震孟等名人故居所在，故具有较高的历史价值和艺术价值。1995年列为江苏省重点文物保护单位。